The 6th BIFF／第六届北京独立电影展
开始时间：10月15日 13:00（周六）
结束时间：10月22日 21:00（周六）
【简介】
BiFF已經在電影領域建立起廣泛的影響和良好的口碑，是國內最重要的獨立影展之一。本届北京独立电影展有劇情片、紀錄片、動畫、实验影片和日本纪录片导演佐藤真作品回顾展以及鹿特丹电影节非洲项目等反映獨立電影動態的單元。
艺术档案 > 影像档案 > 第六届北京独立电影展（BIFF）公布片单
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我们只是想做自己喜欢的电影
——第六届《北京独立电影展》序
从八十年代末张元和吴文光的作品算起，独立电影在中国已经走过了二十多年的艰难历程。2001年，由《实践社》和《南方周末》主办，由杨海君、杨超、张亚璇等人策划的《独立影像节》，虽然只办了一届，但首开了独立电影在中国的展播方式。同年，《酷儿影展》由崔子恩、张江南和楊洋等人策划，并延续至今，算中国历史最长的独立电影展播。2003年3月，由郭净、楊昆、和淵、易思成策划，以纪录片为专题的《云之南人類學影像展》，首展在昆明开幕。同年4月，由朱日坤、張江藝策划的《中国纪录片交流周》在北京开始。正是在这样的形势下，2006年，栗宪庭电影基金成立，由電影基金创展的《北京独立电影展》，和从第四届开始的《中国纪录片交流周》，在宋庄美术馆开始，并延续至今。
近些年，独立电影的展播，开始整合成一种初具持续性和组织化、规模化的形式。尤其是由和淵、易思成、季丹、沙青等人策划的昆明《云之南紀錄影像展》，曹愷、张献民策划的南京《中国独立影像年度展》，应亮策划的《重庆民间映画交流展》，以及由老贺（贺中）和王晓鲁策划的北京《北京青年独立影像展》等影展连番上演，证实了独立电影在中国已呈燎原之势。
但是，2011年五月份，由朱日坤策划的第八届《中国纪录片周》被迫停播。2011年十月份，由王宏伟策划的第六届《北京独立电影展》，被迫迁移出被称为中国最大当代艺术家聚集地的宋庄。同时，这种令人遗憾的事情，在各地举办的影展上，多少都遇到了有关方面的干扰，独立电影依然举步维艰。
其实，独立电影人并非刻意要强调自己的边缘身份，更非要对抗主流电影的商业和意识形态模式或者现行体制什么的，我们只是想要做自己喜欢的电影！这是一个逐渐走向多元或者主张走向多元的社会，我们没有妨碍，或者并不在乎商业电影或其它主流艺术的大行其事和热火朝天的社会接受度，也不在乎时代、社会、大众、政治和经济的功利时效，更是置金钱利益、社会荣誉、大众掌声于度外。相对电影的商业和意识形态模式，我们只在乎电影人表达的独立性，而且，这种独立性来源于电影人对个人感觉的忠诚，以及对个人感觉表达方式的试验和探索。
支持独立电影，为独立电影提供一个更好的展播平台，也是我们基金和所有热爱独立电影的人喜欢做的事情，这是一个建立在与主流社会几乎无关的学术、民间、自筹自划的事情。所以，我们呼吁有关方面给予起码的理解和宽容，这是社会走向多元、平和的必备条件。同时，对于独立电影人，我们更需要专注自己的事情，以坚定、平和的心态对待眼前所有的难关。
栗宪庭
2011年10月5日
We just want to make the films we like – The 6th Beijing Independent Film Festival
Starting from the films of Zhang Yuan and Wu Wenguang in the 1980s, independent cinema in China has already gone through a difficult course that spans over twenty years. In 2001 Shi Jian She and Southern Weekend sponsored the Independent Cinema Festival, which was curated by Yang Haijun, Yang Zhao, Zhang Yaxuan and others. Even though there was only one edition, it still set the tone for the way independent film exhibitions were to be held in China. That same year, the Queer festival was started by Cui Zi'en, Zhang Jiangnan, Yi Hao and others, and has continued until today, constituting China's longest running film festival. In March 2003, Guo Zheng, Yang Kun, He Yuan, and Yi Sicheng made documentary the main focus of Yunnan Multi-Cultural Image Festival (Yunfest), and the first edition was held in Kunming. Then, in April of the same year, Zhu Rikun and Zhang Jiangyi started China Documentary Week (DOChina) in Beijing. It was in this context that the Li Xianting Film Fund was established in 2006. The fund created the Beijing Independent Film Festival and, starting with the 4th China Documentary Week, has been held at the Songzhuang Art Museum until today.
Recently, independent film screenings have begun to come together in a more sustained, organized, and standardized form. Film exhibitions have continued due especially to the efforts of He Yuan, Yi Sicheng, Li Dan, Sha Qing and others in organizing Yunfest; Zhang Xianmin in organizing China the Independent Film Festival; Ying Liang in organizing the Chongqing Independent Film and Video Festival; and Lao He（He Zhong） and Wang Xiaolu in organizing the Beijing Youth Film Festival. These examples confirm that independent cinema in China already possesses the power of a prairie set on fire.
However, in May 2011, the 8th China Documentary Week directed by Zhu Rikun was forced into cancellation. This October 2011, the 6th Beijing Independent Film Festival directed by Wang Hongwei has been forced to move and yet officials want to call Songzhuang China's largest community for contemporary artist to gather. With this kind of regrettable situation wherein the various places for film exhibition meet with so many interferences from officials, the future progress of independent cinema remains under duress.
Yet, there is no need for those involved in independent film to emphasize their marginal identity, and even less of a need to oppose the industry and ideology of mainstream film or even the present system. We only want to make the films we like! This is a society gradually moving towards pluralism, presenting views that are growing more diverse. We have not interfered and certainly do not mind the alacrity with which society accepts commercial film or other mainstream art. We also do not mind the utilitarian efficiency of the current age, of society, of the masses, of politics, and of the economy. What's more, we do not give a thought to monetary interest, social honor, and applause from the masses. Relative to the business and ideology of cinema, we only care about the expression of independent spirit. This kind of independence emerges from the loyalty with which the individual filmmaker follows his/her feeling, and from exploring and experimenting with forms of expression.
Supporting independent cinema and providing it with a better exhibition platform is the kind of work that our foundation and all those who love independent cinema are glad to do. This is a forum with almost no relation to mainstream society; it is for the people, self-funded and self-determined. So, we must at least give the officials our understanding and tolerance; for, this is the necessary condition for society to move towards diversity and peace. At the same time, for those involved in independent cinema, we must be even more devoted to our work, and face the upcoming challenges with a firm and peaceful mind.
Li Xianting October 5, 2011
可以抱怨，不能失望
五十年前法国导演 弗朗索瓦·特吕弗说过：导演是电影剧组中唯一无权抱怨也无权失望的人。导演只有对自己有透彻的了解才能做出准确的自我评价，才能决定自己是否能忍受这样或那样的限制，并且把这些限制转化为有利条件（电影的有利条件），也才能判断这种限制是否会影响到电影的最终结果（《眼之愉悦》，2010,中译本）。
这段话很适用于今天的北京独立电影展(BIFF)，因为我们需要对自己、对电影、对影展能有准确的“自我评价”。
每部参展影片的导演，在影片诞生过程中必定遭遇过无数的限制，这限制来自于你自身但更多来自于你自身之外的种种不可抗力。或许你抱怨过失望过，但这一切之后的现在，你的电影在这里现身了，很美妙的转化，不是么？
每一位参加影展的观众，无论你是何种背景，你都是每部影片“最终结果”的审判者。你们可以抱怨可以失望，但务必请发出声音来。来自你们的批评或鼓励，担当着对中国独立电影现状的质疑，也将推动着北京独立电影展的踽踽前行。
感谢诸多为影展做出努力和贡献的师友，他们的不抱怨不失望使得本届影展如期举办，也使北京独立电影展得以积蓄了其必须具备的忍耐和坚持，这是一种复合且交集的优良品质。
如果特吕弗先生在世，真希望他说一句：“办好你们的影展，无需言必称戛纳”。
感谢所有导演、观众和内心交战的支持者们
王宏伟
2011年10月8日
One can complain, but never be disappointed
The French filmmaker Fran ∙ ois Truffaut once mentioned that: the director amongst the film crew being the only party without a right to complain or feel disappointed. It is only through thorough understanding of oneself together with accurate self-appraisal, can one decide through the inherent limitations in filmmaking, attempting to utilize these restrictions as positive influence on the film, and be able to judge whether or not such limitations bear its mark on the eventual film made（《Le plaisir des yeux : Ecrits sur le cinema》, 2010, Chinese edition).
The above message is highly relevant to today’s Beijing Independent Film Festival (BIFF), as we need to have an accurate 'appraisal' on ourselves, on the Films and the Film Festival.
To all participating directors of the shortlisted film entries, you must have experienced numerous restrictions throughout the course of filmmaking, although some of these restrictions originated from yourself, more are caused by external factors beyond your control. Perhaps you had once complained and been disappointed, nonetheless, your film has reached its destination here, it is quite a marvelous transformation , don’t you agree ?
To all participating members of the audience, regardless of your walk in life, you are the judge to the films’ “final outcome”. You might have negative feedback or been disappointed, but please let your voices be heard. Your criticism and encouragement play a critical part in the scene for the Chinese Independent Film industry, and your invaluable comments would also help to foster the Beijing Independent Film Festival (BIFF).
I would like to express my gratitude to all teachers and friends for their efforts to the BIFF, who had through such selfless contribution made this Festival possible as scheduled and accumulated a prerequisite for composite and excellent quality, which including patience and perseverance.
If Mr. Truffaut were alive, I would really love to hear from him: “ do well in your Film Festival, no need to compare with the Cannes”.
Thanks to the directors, members of the audience and all other supporters.
Wang, Hongwei
Oct 8, 2011
【第六届北京独立电影展 排片表+交通指南】
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The 6th BIFF画册
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