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苏永健(Su Yongjian)

2020-08-19 13:53:42.693 来源: Yongjian Su 作者:


苏永健(Su Yongjian)

简历

苏永健,1994 年出生于广西南宁

2013-2017 中央美术学院 本科数码媒体工作室交互设计方向

2019 德国卡尔斯鲁厄艺术与设计大学(ZKM 艺术与媒体中心)交换生,媒体艺术方向

2017-2020 保送至中央美术学院 硕士研究生艺术与科技方向,并于在校期间任教学助理

2017 年中央美术学院最高毕业奖 —— “千里行奖”唯一获得者。

个展

2020  以退 · 为进 – 苏永健 & 曾晨双个展  六平米艺术馆 上海

群展

2020  机器·人·艺术·时代, 华 ·美术馆,深圳

2019  城市交互 – 深港城市/建筑双城双年展,深圳市当代艺术与城市规划馆 深圳

2019  第十三届全国美术作品展览,丝绸之路文化交流中心,廊坊

2019  后生命——智能时代下的艺术与科技,重庆当代美术馆,重庆

2019  集体,协同,合作 – 卡尔斯鲁厄艺术与设计大学年度展览 (Collective, Collaborative, Cooperative - Annual Exhibition HfG Karlsruhe) 卡尔斯鲁厄艺术与设计大学 德国卡尔斯鲁厄

2019  时间开始了 – 乌镇当代艺术邀请展,北栅丝厂,乌镇

2018  LIFE GEEK - 2018 全球获奖作品展览,三林印象城,上海

2018  后生命 - 北京媒体艺术双年展苏州巡展,寒山美术馆,苏州

2018  数字之诗意 2.0 – 数字共振  1905 文化创意中心,沈阳

2018  后生命 - 北京媒体艺术双年展  中央美术学院美术馆 北京

2018  无限的,田地艺术中心,北京

2018  Bio Art Archive Drawer – Absence of Authority  Oncurating - Space,苏黎世,瑞士

2018  奇幻之城 – 来福士艺术季  来福士中心 北京

2018  杏林撷英 – 全国高等美术教育成果系列展  中华艺术宫 上海

2017  在路上 · 2017  – 中国青年艺术家作品提名展  关山月美术馆 深圳

2017  旋构塔 · 设计不在  时代美术馆 北京

2017  Maker Faire 2017 新媒体艺术展  曲江国际会展中心 西安

2017  千里之行 – 中国重点美术院校第八届暨 2017 届毕业生优秀作品展  鲁迅美术学院大连校区艺术博物馆 大连

2017  中央美术学院本科生毕业作品展  中央美术学院美术馆 北京

奖项

2020 Renovators 全球青年创作计划 最佳表现奖

2020 《进化机》被中央美术学院美术馆收藏

2019 《虫舱》入选第十三届全国美术作品展览

2018 - 2019  连续两年中央美术学院全额奖学金

2018 MANA LIFE GEEK 全球新锐艺术家新媒体艺术作品大赛 动力装置单项奖

2017 千里行奖 —— 中央美术学院最高毕业奖

2017  《虫舱》被中央美术学院美术馆收藏

2017 中央美术学院本科毕业生优秀作品 一等奖

2017  获评中央美术学院优秀毕业生和北京市优秀毕业生

2015 - 2016 连续两年中央美术学院在校生优秀作品 一等奖

2016 中央美术学院在校生优秀作品 优秀团队奖

2015「方寸世界 由你改变」美柚 App 主题设计大赛 优秀奖

2015 为梦想设计 – 魅族 Flyme 手机主题设计征集 优秀作品奖

2014 华为第二届 EMUI 全球手机主题设计大赛 入围奖

2014 《思维训练》被中央美术学院设计学院基础部收藏

2013  中央美术学院在校生优秀作品 三等奖

YONGJIAN SU

Media Artist & Interaction and Animator Designer

Born in Nanning, Guangxi in June 1994. In 2017, he was sent to Central Academy of Fine Arts (CAFA) as a recommended postgraduate to study for a master's degree in Arts and Sciences, and also served as a teaching assistant in CAFA. During the study, he exchanged study abroad at HfG Karlsruhe (ZKM | Center for Art and Media Karlsruhe) in Germany. He was the only winner of “First Step Award (千里行奖)” in 2017, which is the highest academic award for fresh graduate of CAFA. His works have been exhibited in important exhibitions many times around China, Switzerland, and Germany. Recent exhibitions include “The 13th National Exhibition of Fine Arts”, “Shenzhen & Hong Kong BI-City Biennale of Urbanism/Architecture”, “Post Life - 2018 Beijing Media Art Biennale”, “Wuzhen Contemporary Art Exhibition” and “On road · 2017 - Nomination Exhibition of Chinese Young Artists”.

Description of creative direction

Humans and the entire ecosystem are going through and experiencing an era of anxiety in technological change. Technology, machines, media, and big data are transforming our bodies, behaviors, and cognition, as well as the ecological environment. As a member deeply domesticate by technological machines, that where my creative topic comes from. My main works involve and are not limited to the media and the method of electronic media, biological materials, mechanical manufacturing, machine learning, interdisciplinary, and cross-field cooperation, in response to the exploration and speculation of the new counterbalance relationship and the boundary between human, machine and nature constituted by the technical environment itself.

 

艺术家作品

进化机 Evolution Machine

▼ 

进化机

尺寸:200cm×200cm×250cm

年代:2020

材质:铝材、电动推杆、充气球、电子元件、遗传算法程序

基于自然选择学说并经由人为技术逻辑包装的遗传算法作为一种机器学习策略,在作品中用以演化模拟物理环境中的人类身体运动,并将动作数据同步至可穿戴机械外骨骼,以机器之脑替代肉身之脑对真人进行如蹒跚学步般缓缓操控。人类为了理想的进化状态对机器的演变进行无止境地催化,与此同时,对技术的过度依赖使我们也反身倒置为被机器支配与改造的角色。作品试图对技术机器侵占身体的话题展开思辨:当人类信任机器教条至连自我都需要借助­机器的辅助来认知之时,这究竟是一种进化还是退化? 

Evolution Machine

Dimension: 200cm×200cm×250cm

Year: 2020

Material: Aluminum, actuator, balloon, electronic components, Genetic Algorithm program

Genetic Algorithm based on natural selection theory and logically packaged by artificial technology is used as a machine learning strategy. It is applied in the work to evolve the movement of the humanoid model in the simulated physical environment and feedback the motion data to the wearable mechanical exoskeleton. The brain of machine replaces the brain of flesh, then controls the real person slowly as a toddler. Mankind catalyzes the development of machines for the ideal state of evolution. At the same time, our over-reliance on technology has turned us back into the role of being dominated and transformed by machines. The work attempts to speculate on the topic of technical machines invading the body: when humans trust machine dogma to self even need the help of machines to recognize, is this an evolution or a degradation?




▲ 算法端程序

作品主要由算法端程序、控制端程序和主体装置(机械外骨骼)三部分组成。「算法端」实时进行遗传算法对人类身体动作的生成、演化与迭代,并将拥有最高环境适应能力的动作数据传输到「控制端」;「控制端」与「主体装置」连接,将接收到的演化动作基因转化为单片机可读的数据格式实时同步到机械外骨骼,机械骨骼和表演者均封闭于蛋形容器中缓缓行动。

The work is mainly composed of three parts: Algorithm Terminal, Control Terminal, and the main installation (mechanical exoskeleton). The Algorithm Terminal performs the generation, evolution, and iteration of human body movements by genetic algorithms in real-time, and transmits the movement data with the highest environmental fitness to the Control Terminal; the Control Terminal is connected to the exoskeleton and converts the received evolutionary action genes into a data format readable by Arduino and synchronizes it to the mechanical exoskeleton. Both the mechanical skeleton and the performer are enclosed in egg-shaped containers and act slowly.

▲ 控制端程序

「控制端」每次执行都会自动调取由「算法端」存储的4 个演化样本的动作基因,并在界面中显示当前调取样本的信息以及呈现慢动作运动的人形模型三视图。同时,每组关节基因被转化为机械外骨骼关节推杆的行程数据,通过 ARDUnity 插件与机械外骨骼实时同步。


▲ 机械外骨骼


《进化机》创作幕后

▼ 

▲ 程序端及机械外骨骼平面结构设计


▲ 手绘草图

▲ 装置主体三维建模及渲染

▲ 装置主体加工制作和布展安装

获得中央美术学院最高毕业奖3年后,他又创“进化机”

中央美术学院“千里行奖”是面向全体应届毕业生设立的学术最高奖。如果这一年没有开拓创新的作品,奖项宁愿空缺也不会随意颁发。2017年,毕业生苏永健凭着《虫舱》,成为了那一年“千里行”奖唯一一位获奖者,而他也因优异的成绩成功保送研究生。

从2017年到2020年,3年已过,苏永健试图对技术机器侵占身体的话题展开思辨进行创作,近期完成了《进化机》作品。

穿戴机械外骨骼的“人类”被封闭在“蛋形”容器内,他的身体被借助人工智能程序的实时演算来缓缓行动……在一个身体决策的主动权被机器愈渐占据的当下,人类是否得益于机器,实现了真正的进化?

基于自然选择学说并经由人为技术逻辑包装的遗传算法作为一种机器学习策略。人类为了理想的进化状态对机器的演变进行无止境地催化,与此同时,对技术的过度依赖使我们也反身倒置为被机器支配与改造的角色,作品试图对技术机器侵占身体的话题展开思辨:当人类信任机器教条至连自我都需要借助机器的辅助来认知之时,这究竟是一种进化还是退化?

从自然选择到“机器选择”

我们已然进入一个“机器选择”的时代,遍地充斥的技术机器和媒体信息正在由内而外地塑造人类原有自然进化而来的身体、行为和认知。机器正在充当我们的大脑,替代我们的退化身体做出决策。 

以退为进

技术的进步已在一定程度上以身体的退化为代价,我们借助且依赖技术机器而生存的同时,这种依赖性也反过来助长我们大脑与身体的懒惰和迟钝。


虫舱 Bug Capsule


虫舱

尺寸:350cm×240cm×280cm

年代:2017

材质:昆虫、金属、电子元件

作品以昆虫为核心,将它们的运动作为作品观念的运行主线,整体以机械装置为载体,其运行和发声的肇始由昆虫的无规律运动连环触发。其中,人为预设的可控机制受到昆虫的不可控行为所支配,可控与不可控之间,隐喻着人工产物与自然力量之间的关系。一个精密结构背后往往需要不止数种尝试支撑,作品创作过程历经屡次推导与推倒、重建与重见,主观与客观的可控与不可控,也贯穿整个创作过程而得以体验。


Dimension: 350cm×240cm×280cm

Year: 2017

Material: Insects, iron, electron device

Insects are the core of the work, and their movement is the operation clue of the work concept. The whole body is supported by mechanical devices, and the starting of its operation and sound generation is triggered by the irregular movement of insects. The control mechanism preseted by human beings is dominated by uncontrollable behaviors of insects, controllability or uncontrollability implies the relationship between man-made products and natural forces.


心术 Emotion Alchemist

心术

尺寸:100cm×100cm×130cm

年代:2019

材质:气动推杆、气管、传感器、呼吸灯

*作品与文学作家吟光共同创作,题材基于吟光所著短篇小说《挖心术》

“芯片人只不过开场方式不同,就跟生物人的童年经验一样,你活了二十年所相信的,跟一条编码让你相信的,到底有什么不同?或许,我们都是被构造出来的样子。”

—— 摘于《挖心术》,吟光

作品以由若干气动推杆、气管和电缆组成的心脏外形为主体,通过推杆的相互配合运动,试图将机械心脏活体化。受周围观众位置和移动的影响,输送于电缆之中的冰冷代码不断刺激机械心脏抽搐和跳动,使钢铁机器仿佛有了能感知存在的生命体征一般。芯片与情感之间的分界线愈渐模糊,编码机器和有灵肉身本质上可能并无矛盾,也无所差别。

Emotion Alchemist

Dimension: 100cm×100cm×130cm

Year: 2019

Material: Cylinders, air tubes, sensor, breathing light

"The chipped human is just different in the original way, just like the childhood experience of the biological human, what is the difference between what you believe in living for 20 years and what a code tells you that you believe? Perhaps we are all constructed."

- Quote from Emotion Alchemist, Lucia LUO 

The work is a heart-shaped dynamic sculpture consisting of several cylinders, air tubes and cables, the mechanical heart is activated by the collaborative movement of the cylinders. Affected by the position and the movement of the surrounded audiences, the cold code is transmitted through the cables to continuously stimulate the twitching and beating of the mechanical heart, making the steel machine seem to have a vital sign that can be perceived. The boundary between chips and emotions is becoming gradually blurred, probably there is essentially no contradiction between coded machines and souled flesh-bodies, without difference as well.


鼠系列之一  Rat Series 1

▼ 

鼠系列之一

尺寸:80cm×36cm×210cm

年代:2018

材质:实验室白鼠、金属、亚克力、电子元件

作品试图构建一种可欲不可达的状态。由始至终,白鼠在直径 20cm 的跑轮中奔跑超过 1,600,000 周(约 1,000 公里)才能触发一次水波纹的形成。



Rat Series 1

Dimension: 80cm×36cm×210cm

Year: 2018

Material: Lab rat, metal, acrylic, electron device

The work attempts to construct a state of inaccessibility. From beginning to end, rat runs in a wheel of 20cm in diameter for more than 1,600,000 circles (about 1,000 kilometers) to trigger once formation of water ripple.


鼠系列之二  Rat Series 2

鼠系列之二 

尺寸:47cm×38cm×47cm(共 4 件)

年代:2019

材质:实验室白鼠、金属、亚克力、光敏树脂、电子元件

“人生而自由,却无往不在枷锁之中。”

我们的日常正处于被计算机、人工智能无形侵入的时间节点之下,自动化在提高工作能力的同时也钝化了人类的思维,我们在过度依赖机器的同时也被囚禁于机器的制度中。

作品以斯金纳箱为实验原型,随机播放的音频条目与容器内部的按钮序号分别一一对应,当白鼠正确按下对应当前播放音频的按钮时则给予食物奖励。作品试图将机器言语通过重复听觉刺激介入白鼠的感知记忆,  以转喻人类之肉身和心智于数字时代的受控状态。



Rat Series 2

Dimension: 47cm×38cm×47cm (4 pieces totally)

Year: 2019

Material: Lab rat, metal, acrylic, photopolymer, electron device

"Man is born free, and everywhere he is in chains."

Our daily life is under the time node invisibly invaded by computers and artificial intelligence. Automation not only improves working ability, but also passivates human thinking. While we rely too much on machines, we are also imprisoned in the system of machines.

Skinner box as the experimental prototype of the work, and the random audio items correspond to the button number inside the container one by one. While the rat correctly presses the button corresponding to the current audio, the food reward will be given. The work attempts to interpose machine language into the perceptual memory of rats by repeating auditory stimulation to imply and explore the controlled state of human body and mind in the digital age.

 


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