COMING AND GOING, WITH LAUGHTER
走过、笑过、路过——岳敏君,我们依旧在路上
ARTISTIC INTROSPECTION IN THE LANDSCAPE ILLUSIONS
山水幻象中的艺术自省
LANDSCAPE ILLUSIONS—THE VISUAL SIGHTS OF ZHANG JIE
山水幻象——张杰的视觉景观
TRADITIONAL RETROSPECTION AND NEW CREATION OF LACQUER CONCEPTION
法式追抚与漆境新造——关于漆艺的对谈
FEATURE /专题
COMMENT ON VENICE BIENNALE
威尼斯双年展评说
IN ART WITH VENICE
六月,阳光灿烂的威尼斯
SENSE OF HONOR IN COMPETITION
竞技的荣耀感——解读第54届威尼斯双年展美国馆
THE GOLD LION AWARD GOES TO DIFFERENT RECEIVERS
金狮奖散落各家——最佳国家馆:德国 金狮奖:Christian Marclay 银狮奖:Haroon Mirza
BE CAREFUL
“小 心”
THE DANISH PAVILION "SPEECH MATTER"
"THE SECOND HISTORY" OF ZHANG DALI RECEIVES MUCH ATTENTION
丹麦国家馆“Speech Matter”——中国艺术家张大力《第二历史》备受关注
“ASIA” AS A CULTURAL CONCEPT—LU RONGZHI AND HER “FUTURE PASS”
作为文化概念的“亚洲”——陆蓉之和她的《未来通行证》
THE CHINESE NEW ART AFTER THE COLD WAR
冷战后的中国新艺术——关于第54届威尼斯双年展平行展《碎裂的文化=今天的人?》
ENLIGHTENMENT OF SITE SENSITIVENESS AND NATION (EXCERPT)
现场敏感的启迪与国家(节选)
CASES /个案
THE STORY OF EAGLES
鹰源物语——李锐绘画作品浅析
ART COMES FROM LIFE
艺术来自生活——许东荣中国美术馆展览“时空的轨迹”
HELPLESSNESS IN AESTHETICS THE GARDEN OF DESIRE OF BEISHUI
审美的无奈:北水的欲望花园
MARKET /市场
THE CAMOUFLAGE BEHIND THE SKY-HIGH PRICES ON
天价背后的障眼法
EXHIBITIONS/展讯