Abel Rodríguez
, Ciclo anual en las altas terrazas de la selva tropical (Annual cycle in the high terraces of the rainforest, 2007)
ink on paper
50×70cm
Andreas Ragnar Kassapis
Object 32 (2016)
oil on wood panel
40×50×5cm
Apostolos Georgiou
0100 (2005), acrylic on canvas
210×230 cm
photo: Boris Kirpotin
Ashley Hans Scheirl
Glorious Restraint, from the series “Painter’s Parody” (2016)
acrylic and oil on canvas
125×175 cm
Christos Papoulias
The House of the Divorced (2014)
colored pencil and graphite on paper
21 × 27 cm (framed)
courtesy Christos Papoulias, Locus Athens
David Harding
Portrait of Samuel Beckett (From a Photograph by Jane Bown) (2016)
graphite on paper
30 × 21 cm
David Schutter
L LB dc 3 (2013)
chalk and crayon on paper
34×24 cm
courtesy David Schutter and Rhona Hoffman Gallery, Chicago
Edi Hila
Boulevard 3 (2015)
oil on canvas
94.5×143×3 cm
photo: Blerta Hoçia
El Hadji Sy
Les pêcheurs (Fishermen, 2016)
acrylic, mixed media, and string on canvas
2.1×3.5 m, photo: Mamadou Touré dit Behan
El Hadji Sy
Les pêcheurs (Fishermen, 2016)
acrylic, mixed media, and string on canvas
2.1×3.5 m
photo: Mamadou Touré dit Behan
Ganesh Haloi
Untitled (2016)
tempera on paper, mounted on board
47×72.5 cm
courtesy Ganesh Haloi and Akar Prakar, Kolkata
Gordon Hookey
MURRILAND! (2016, detail)
oil on canvas, 2×10 m
© Gordon Hookey/VG Bild-Kunst, Bonn 2017, courtesy Gordon Hookey and Milani Gallery, Brisbane
photo: Sam Cranstoun
K. G. Subramanyan(1924–2016)
Ethiopian Nativity (1987)
watercolor and oil on paper
81×61 cm
Lala Rukh
1985 Women’s Action Forum calendar
offset print
61.5×40.5 cm
María Magdalena Campos-Pons and Neil Leonard
La ira de Chango and Zeus I and II (The wrath of Chango and Zeus I and II, 2016),
recycled car metal, ink, acrylic and matte medium, watercolor, and pencil on paper
101.5×73.7 cm each
Miriam Cahn
burkazorn (2010)
oil on canvas
78×46 cm
photo: Etienne Frossard
Mounira Al Solh
four drawings from “I Strongly Believe in Our Right to Be Frivolous” (2012–17), ink, graphite, marker, paint, and thread on paper
30×21 cm each
courtesy Mounira Al Solh and Sfeir-Semler Gallery, Beirut/Hamburg
Nathan Pohio
In a Dream of 200,000,000 Horses (What Horses Teach Us. Willow Creek Press calendar 2016) (2016)
ceramic pigment on vinyl
82 × 318.5 × 4 cm
Nilima Sheikh
A Pastoral (Reading Agha Shahid Ali 16) (2003)
tempera on wasli paper
71×40.5 cm
Nomin Bold
Labyrinth game (2013)
gouache and gold leaf on cotton
160×102 cm
courtesy Nomin Bold and Queensland Art Gallery and Gallery of Modern Art, Brisbane
Pélagie Gbaguidi
Spectrum of Homo mercantilis (2016)
colored pencil on paper
29×21 cm
Pélagie Gbaguidi
Spectrum of Homo mercantilis (2016)
colored pencil on paper
29×21 cm
Rainer Oldendorf
Lost in Prevelakis Hall, Polytechnion, Athens (2016)
whiteboard marker on paper
100×70 cm
courtesy Rainer Oldendorf and Erna Hecey Gallery, Luxembourg
Rainer Oldendorf
Lost in Prevelakis Hall, Polytechnion, Athens (2016)
whiteboard marker on paper
100×70 cm
courtesy Rainer Oldendorf and Erna Hecey Gallery, Luxembourg
Rosalind Nashashibi and Nashashibi/Skaer
In Vivian’s Garden (2016)
oil on canvas
60×90 cm
courtesy Rosalind Nashashibi and Murray Guy, New York
Ruth Wolf-Rehfeldt
In Vain (1972), carbon copy of typewriting
29.5×21 cm
courtesy Ruth Wolf-Rehfeldt and ChertLüdde, Berlin
Sámi Artist Group
Keviselie/Hans Ragnar Mathisen
Máná niehku—Stállu (A child’s nightmare—Stállu, 1974)
lithograph, after a 1969 watercolor
28.2×36.7 cm
Sámi Artist Group
Britta Marakatt-Labba
Managing (2013, detail), embroidery
38×38 cm
Sámi Artist Group
Synnøve Persen, The Flag (1977)
silkscreen ink on paper
image: 30 × 44 cm, overall: 56.7 × 68 cm
Stanley Whitney
James Brown Sacrifice to Apollo (2008)
oil on linen
183×183 cm
courtesy Stanley Whitney; Team Gallery, New York
Vija Celmins
Untitled (Dark Sky 1) (2016)
mezzotint
40.6×38.1 cm
Gennadius 图书馆
雅典
使者：后历史天使
Envoy: Angel of Post-History By Ross Birrell
Bonita Ely 作品
Plastikus Progressus Memento Mori
ASFA ©Stathis Mamalakis
工作室项目Studio14 ：Aboubakar Fofanad
纤维作品
Georgia Sagr
《Attempt.Come.》
行为艺术
时长20小时
2016年
图片来源：Stathis Mamalakis
Marie Zygouri
《The Round-up Project》
1979-2017年
图片来源：iefimerida.gr
Abounaddara
《来自叙利亚的不同声音》静帧
图片来源：e-flux Conversations
Beau Dick 面具作品
Rasheed Araeen《 Shamiyaana——Food for Thought：Thought for Change》
图片来源：Yiannis Hadjiaslanis
《Shamiyaana-食物换取思考：思考改变》是英国籍巴基斯坦裔艺术家Rasheed Araeen的作品，他们在雅典的广场上设立了一个帐篷并供应食物。这顶帐篷吸引到远离当代艺术领域的雅典人和叙利亚移民，给予大家一个共享空间，分享一顿美食、一场谈话。
Rebecca Belmore作品
Biinjiya iin Onji
菲洛帕波山 ©Fanis Vlastaras
Hiwa K作品
Pre-Image
ODEION ©Mathias Voelzke
贝思·斯蒂芬斯和安妮·斯普林克尔
拥抱雅典
雅典当代艺术博物馆 ©Stathis Mamalakis
Beau Dick作品
22个面具装置
雅典当代艺术博物馆 ©Mathias Voelzke
德国骑手Tina Boche和匈牙利骑手Zsolt Szabo走在艺术之路上
周日，艺术家罗斯·比雷尔（Ross Birrell）启动了《爱马仕的过境》（The Transit of Hermes），12位骑士将用100天时间，跨越3000公里路程，从希腊雅典出发，一路向北，经过马其顿、塞尔维亚、克罗地亚、斯洛文尼亚、奥地利，最终来到德国卡塞尔，跨越申根和非申根地区，在欧洲地图上画出一条对角线。
这个行动的灵感来源于从布宜诺斯艾利斯到纽约的10000英里马术之旅的传记，瑞士籍阿根廷裔骑手Aimé Félix Tschiffely于1925年至1928年完成了这一旅程，这是一次史诗般的耐力之旅，跨越了边境和战区，也是无数的当代迁徙的寓言。
在那个时代，希特勒在德国掌权，而今，特朗普要在边境修墙。Tschiffely的史诗之旅时至今日依然能够引起世人共鸣。
王兵《15小时》展览现场，影像装置，15小时50分钟 ©第14届卡塞尔文献展（希腊）
王兵《15小时》（静帧画面） © Wang Bing 2017
王兵《15小时》（静帧画面） © Wang Bing 2017
